SLEEPING BEAUTY – PPP – 2007/08 – AUDITION DETAILS
and AUDITION PIECES
AUDITIONS FOR PRINCIPALS / CHORUS : These will be held on SUNDAY
AUGUST 12TH at
AUDITIONS
FOR DANCERS / JUNIORS / CHORUS. These
will be held on SUNDAY SEPTEMBER 9TH at ST LUKES CHURCH HALL. Dancers 10am –
Juniors 11.30am
Please note :
If you are only interested in chorus, you need to audition on August 12th.
If you interested in a principal role, but happy to be in
chorus if not cast, then you audition on August 12th. If you
want to be a dancer, but are happy to be in the chorus if not cast as a dancer,
then you audition on September 9th. Anyone who wants to be in the
chorus but really can’t make August 12th,
should audition on September 9th.
AUDITIONING TIPS : Please do remember that you are hoping to
convince the panel to cast you in the role you want. Come ready to impress.
Make sure you look good. If possible learn the audition pieces. It isn’t
essential to learn them by heart but doing so will give you an advantage
because without the book in your hand you can concentrate on other aspects of
the audition. If you don’t have time to learn it by heart, then please do be
familiar with the audition pieces. Make sure you have read them over and over.
Plan some moves. DON’T just stand there and deliver the dialogue. ACT the
audition. You will audition either opposite a reader, or someone going for the
other role speaking in the audition piece so you will have someone to react to.
If you look like you haven’t really bothered to prepare, you are much less
likely to get the role.
AUDITION SONGS FOR PRINCIPAL ROLES : We have stated some suggestions as to what to
sing in audition if going for that role. We would prefer it if you sang that
song. If you cant get hold of the music John may be
able to help you. If you still cant get hold of the music we will allow you to
audition with a similar style song. DO NOT use any songs from last year’s
panto, Thoroughly Modern Millie, or a Gilbert & Sullivan Operetta.
DO NOT use a tape as a backing track. You must audition with the piano as
accompaniment.
AUDITION SONGS FOR THE CHORUS : Please choose a bright lively
upbeat number to sing part of. You must bring the sheet music along or be
prepared to quickly learn some music of the MD’s choice. Clearly the former is
preferred. We just need to check the voice to ensure you can sing. WE suggest
that you try to sing a bit of “
AUDITION DANCING FOR PRINCIPALS
AND CHORUS : Anyone going for a principal role
/ chorus will be required to learn a short routine as a group. This will be
relatively straightforward and is so that we can see that everyone can move in
song and dance. If we have a situation where everyone auditioning for a role /
chorus is known to the panel or has performed with us before this part might be
dispensed with !!
PLEASE DO REMEMBER : The casting panel have a difficult job slotting people into the right roles. What prospective cast members often forget is that the production team have to use the assets available to them to the best advantage. Therefore being as FLEXIBLE as possible is to your advantage. By stating that you are only interested in one particular role limits your chances of being cast. Try to consider that sometimes we have more than one person capable or right for a certain role, and only one person right for another role and that person might not necessarily want that role. It helps if you are flexible !! Also if you are auditioning to be a dancer, please also consider chorus if you are not chosen as a dancer. The chorus is as much fun and as much involvement.
DANCERS
We
are looking for FEMALE and MALE dancers. For the females the
minimum height must be 5ft. Although we do not state an age, the height
dictates age to a degree. However we are looking for dancers with a good adult
shape (if you see what I mean) and to be honest the slightly more mature the
better. I.e. if you are 12 years old and over 5ft tall, you probably will not
get chosen as you will look too young. Applicants MUST have good modern and
jazz dance ability and preferably GOOD tap ability. We will be looking for
girls with good style and technical ability. However if someone was very good
in all aspects other than tap we might just not use them in the tap number. We
also have to ensure the dance team looks good together as a group and that
there isn’t too wide a range of heights. Also we have to look at “sizes” as
costumiers tend to do dancers costumes in “sets” and need a fairly uniform
sizing. For male dancers we are looking for young men with good
jazz and modern ability. Tap is not essential. Dancers will be auditioned
for singing in small groups. This year there will have to be a big change in
the line up as some of our “regulars” will not be present in the line up this
year. Now is your chance …. !!
JUNIORS
We are looking for 2 teams of
little girls who will each play 4 performances of the 8-performance schedule.
We are not stating a maximum height but clearly they must not be taller than
the smallest senior dancer (i.e. not taller than 5ft) and ideally there should
be a gap between the juniors and the dancers so the height we will go up to
very much depends on the height of the smallest senior dancers chosen earlier
that day. Girls must have tap and modern dance ability. Must also be able to
sing and dance with big wide smiles and lots of personality. Juniors will be
auditioned for singing in small groups.
We are looking for an adult
chorus of males and females. We are not looking for children but teenagers will
be fine. An upper age limit isn’t stated, but we will look at the team as a
whole. Ability to move in song and dance is essential. You will be
auditioned as a group for dance ability and individually for singing ability.
Dialogue audition pages 25-27
(with Prince) + song “There Must be an Angel Playing
with my Heart” or “
PRINCE
ALEXIS 2 roles in one. Doesn’t appear
until last scene of act 1. Then after 100 years have passed, he plays
his own great grandson. Typical dashing principal boy role.
For a male performer. Must have good
singing voice with good range. Dance ability a definite plus. Must have
that royal “arrogance and charm” but without coming across as slimey !!
Young – aged between early 20’s and early 30’s. Has one big solo, one duet, and
sings in some company numbers.
Dialogue audition pages 25-27
(with Princess) + song “Aint No Mountain High Enough”
NURSE DOTTIE DETTOL Typical
Dame character. Nursemaid to the Princess. Not
anyone’s mother so could be younger if needs be. Aged anywhere between early
20’s and 60’s !!! Has one short solo song, and sings
in quite a few of the company numbers.
Dialogue auditions Page 3 and
Pages 16-18 (with muddles) + comic song of choice
MUDDLES. Typical comedy character. MUST have good comic timing and
be able to relate to the kids in the audience and get them on his side. Not
easy to do. Simple, but loveable. Leads opening
number, then sings in a number of company songs. Aged from late teens to 30’s.
Dialogue auditions Page 3 and
Pages 16-18 (with muddles) + “Aint no Mountain High
Enough” or song of choice
KING
CACTUS. Typical
comical King character. Pref. older. No solo
singing, but sings in a number of the company songs. A fair
bit of dialogue. Quite a large role.
Dialogue auditions Pages 4-6
(with queen) + comic song of choice
QUEEN
MARIGOLD. Typical
comic queen character. Pref older. No solo
singing, but sings in a number of the company songs. A Fair
bit of dialogue. Not very worldy and no good
with the baby princess – hence the nurse !!
Dialogue auditions Page 4-6 (with
queen) + comic song of choice
FETCH AND CARRY The comic
pair. Court Heralds. Could be 2 men, 2 females, or 1
of each !!! Plenty of options there then
!!! They are responsible for confiscating sharp object. MUST have good
comic timing and be able to work well together as they have 2 large comic
scenes which rely on good timing and comic ability. No songs, but sing with a
number of company songs. Could be any ages from late teens to 60’s !! Could have one a bit older than the
other.
Dialogue auditions Pages 6-9
(look at 12-13) + comic song of choice
GOOD FAIRY LILAC – Good
Fairy. Has one big solo. Appears on and off throughout and must be able to get
the audience with her. Strong voice and nice bright
personality. Aged anything from late teens to 40’s.
I would prefer her to be younger.
Dialogue auditions page 1 and
page 14 + song “There Must be an angel playing with my heart” or “Land of make
believe”
BAD WITCH
HAZEL Evil witch. Has a big solo. Must have strong dominant voice. A fair amount if dialogue.
Must be able to elicit the boos of the audience but
mustn’t turn them totally against her. Must be good foil and contrast for
Fairy. Aged anything from 20’s to 50’s.
Dialogue auditions page 1 and
page 32 + song “There Must be an angel playing with my heart” or “Land of make
believe”